INFLUENCE
OF HOME VIDEO ON ACADEMIC PERFORMANCE AND BEHAVIOUR OF STUDENTS IN SELECTED
SECONDARY SCHOOLS
ABSTRACT
This study examined influence of
home video on academic performance and behaviour of students in selected
secondary schools in Education District II, Lagos state. The study adopted a
descriptive survey research design. The population of study was made up of
parents and teachers of public secondary school students in Education District II,
Lagos state. A total of one-hundred and twenty (120) participants were randomly
selected. The sample size consisted of 60 teachers randomly selected from ten
(10) public secondary schools under Education District II, and 60 parents in
the District head quarters. The basic instrument used for data collection was a
researcher self-made questionnaire titled “parents’ and teachers’ questionnaire
“Influence of home video on academic performance and behaviour of students in
selected secondary schools in Education District II, Lagos State”. The data
collected were analysed using frequency counts and percentage for the
demographic data and the research questions while all the hypotheses formulated
in the study were tested using the t-test statistical tool at 0.05 level of
significance. The result shows that there is no significant difference between
parents’ and teachers’ opinion on the influence of watching of home video on
students’ academic performance and that there is no significant difference
between parents’ and teachers’ opinion on the influence of watching home video
on students’ behaviour. Based on the findings of this study, the following
recommendations were made; Parents should help to regulate and monitor the type
of films which their children watch; Teachers should make sure that they give
regular homework to get the children occupied so that they do not spend much
time in watching films.
CHAPTER ONE
1.0 Introduction
1.1 Background to
the Study
Film exhibition began to thrive
during the colonial era, with Glover memorial Hall playing host to a range of
memorable films viewed by Nigerians in August 1903 (Okon, 2009). According to
Okome (1991) in Odejobi (2014) it was the magic of the moment for people to see
moving pictures. For many years films continued to be shown in film houses in
Lagos, to relieve the monotony of Lagos life through interesting and innocent
entertainment” (Opubor and Nwuneli, 2009).
At the inception of film industry,
motion picture was developed largely for educational purposes only to have that
purpose engulfed in a wave of commercial and entertainment explosion. The
advent of globalization as a result of urbanization and civilization such as
access to television and cable network programmes have attracted most students
to watching of television and they are often distracted by series of cartoons
and movie activities (Fehintola & Audu, 2012).
In recent times, home video has
remained an instrument of entertainment, information and education and it has
taken more than half of other existing entertainment forms, which equally
compete for time and attention of the average citizen (Oladunjoye, 2012).
Since the early 20th century,
the American film industry dominated the cinema across the world. In early
1910, Griffith, a renowned film director shot the ever first movie in Hollywood
titled “in old California” before world war I, film makers gravitated to
southern California as the first Hollywood studio was opened in 1911 by the
Nestor company. The film making industry was later dominated by the Jews who
were immigrants as racial prejudice prevented them from other industries. By
the mid 1940’s the film market was making 400 movies a year.
Onokeme (2004) noted that the
Nigeria video film has transformed itself into an art, creating its own version
of the Nollywood. The motion picture business grew from an estimated turnover
of about 2.5 million in 1994 to a 3.4 million in 1999. Larkin (2006) noted that
this development resulted in the production of over 600 films a year and this
made Nigeria one of the largest film producing nations in the world. Okoye
(2003) observed that Ken Mnebue, a resourceful Nigerian entrepreneur pioneered
the Nigerian home video by producing “living in Bondage” in 1992. However,
Nollywood is arguably the third most vibrant film industry in the world after
Hollywood and Bollywood.
With the influx of videos with
assorted themes in the market and the uncontrolled nature of sales and rentals
parents and children buy or rent films which may have adverse effect on the
morals of the entire citizenry. Since much time could be wasted by children in
watching some of these videos, there could be serious implications in their behaviour
and academic performance. Bride (1980) in Oladunjoye (2012) in a research
report estimated that at the age of 18 years, a child spends more time watching
the television than any other activity beside sleep. It was also noted that at
the first 15 years of the child’s life, he loves watching the screen than going
to school. The child is exposed to home video through the television screen and
so there is the tendency for the adolescent to be influenced by what he sees.
Bride (2000) comments that the media of communication such as home videos are
cultural instruments which serve to protect or influence attitude, to motivate,
foster the spread of behaviour patterns and bring about social integration. So,
a child begins to perceive what he sees in the home video as a pattern of
behaviour or culture that is acceptable. Perception and experience contribute
to the development of a person’s behaviour. What a child sees is accepted as a
norm, he tries to imitate.
Home videos could be said to have
both negative and positive influence on the Nigerian child depending on the
type of film, the time, and the level of control parents are able to adopt. It
is however, clear that a child imitates what he sees hence he must be guided.
Onokeme (2004) stated that violence is one of the effects of home video.
Children who watch a lot of violent films are prone to violent acts. There is
the belief that people often accept the fictional representation in the media
for their vivid and demonstrative relay of pictures. The Home-video is
popularly considered by many people as a school of violence as it has the
ability to hold its audience better than any conventional school. Ekwazi (2001)
opined that when children identify themselves with admired aggressive heroes
and heroins in the home videos and copy their behaviour, whenever a relevant
situation arises, the child is most likely to perceive a particular link
between media mediated fantasy and concrete reality.
Adieza (2004) also noted that most
home videos depict sexually related behaviour and when children watch such
movies, they are sexually aroused especially the adolescent and this could
often lead to such anti-social vices as sexual addiction, lesbianism and
homosexuality. There are the long-term and short-term effects of home video
especially as it affects the behaviour of the child. Traits such as hostility
may be the effect of watching films with violent content. This can stimulate
aggressive thought and feelings. Adesanya (2004) believes that viewing violent
programme can alter children’s behaviour such as making the child afraid,
worried and suspicious. It can also increase the child’s tendency for
aggressive behaviour.
Pornographic films have untold
negative effects on the child as it escalates his sexual urge and he tends to
venture into experimentation. The most dangerous is the fact that home videos
take children’s time as noted by Adesanya (2004), thereby depriving them of
maximum concentration on their school work such as revision of notes,
assignments and even domestic chores. They prefer to remain glued to the screen
rather than participate actively in home chores. In Most Nigerian homes, the
best form of entertainment is watching films. Most home video have a time
duration of one hour, thirty minutes and some two hours, so there is a high
risk of obesity. Okoye (2003) however, advised that the home video may not be
as toxic as most people may see it. It depends on the modernization put into
it. Some home video could be educative.
In Nigeria, television is a product
of globalization which is an important source of educational enlightenment
(Naigles & Mayeaux, 2000). Television provides better, sophisticated,
diverse information and education. It is also a source of entertainment. This
aided the explosion of films in the country. Hence, motion picture showed
definite signs of becoming significant in the entertainment industry leading to
an explosion in the number of film goers. It was also recorded that over the
past 20 years, in the United States of America, children have been participants
in what is called, a “mass media explosion”. In 2000 97% of American homes with
children had television sets, 97% had a video cassette recorder, and 89% had a
personal computer or other video game-capable equipment (Federal trade Commission,
2000). As a result, children spend a larger part of their time consuming all
forms of media; more than half of this time is spent watching television,
movies, or videos (Roberts, Foehr, Rideout, & Brodie, 2009). Thus,
television was seen as a distraction during teaching/learning process which has
become a common daily occurrence among secondary school students across the
nation (Fehintola and Audu, 2012). In fact, television has been variously
criticized for negative impact on academic performance of secondary school
students. For instance, Gentile and Anderson (2003); Shin (2004) cited in
Burgess, Stermerand and Burgess (2012) expressed concern that television
viewing might begin to compete for academic time and eventually decrease school
performance.
Another point that aided the
explosion of film goers is the depressed economy and parents’ desire to make
ends meet. Many families were turn apart leaving the care of their children to
the grannies while they went in search of greener pastures. They do not bother
to check up their children’s performance in schools. This encourages truancy in
children. Little time is devoted to their studies since they are left alone to
make decisions on their own. They neglect their homework and are not prepared
in class (A common sense media Research study, 2012). In support of this idea,
Sharif, Wills, and Sergeant (2010) asserted that time spent on media use could
simply displace time spent doing other activities that promote academic
performance, such as doing homework or reading books. The after math of this
could be seen in the high rate of failure recorded for them both at internal
and external examinations.
Films were made for the viewing
pleasure of Nigerians with messages to inspire, motivate, reprove, and correct
anomalies especially in the political and social systems, to eschew violence
and all forms of evil. Home video viewing, however, provides an accessible
domestic venue that extends the movie market to diverse mainstream audiences in
cities and rural villages. Televisions are now common, and the homes of
television owners often become crowded with extended family and friends
gathered for an evening of watching movies. It is worthy of note that people as
well as students have a more lasting impression of what they see and experience
and less difficulty in recalling. Home video has remained an instrument of
entertainment, information and education. To corroborate this assertion,
Omojuwa, Timothy, and Obiekezie (2009) opined that general audience programmes
are not deliberately designed for instruction but for entertainment. Hence, the
use of film for academic instructions could affect school performance
positively in acquisition and retention but there is no gain saying that the
type of home video films currently produced in Nigeria are not educational and
therefore, not motivating and beneficial to academic performance of secondary
school students.
Based on this background, the
researcher embarked on the study of home video and the Nigerian child and its
implications on academic performance and behaviour of secondary school students
in Education District II, Lagos state.
1.2 Statement of
the Problem
Nigeria is currently facing serious
concerns on the erosion of her culture because television programmes are filled
with activities such as rape, assassination, street fights, armed robbery,
domestic violence and other forms of immoral behaviours that can cause
violence. These television programmes and the music that youths and children
are exposed to contain a lot of violent and immoral contents that are eroding
the good social values and morals that the country was set on for the general
good (Anatsui and Adekanye, 2014).
These youths and children are
vulnerable to these programmes that are not well scrutinized and unsupervised.
The media constructs a reality for its audiences, and so its audiences
eventually adopt symbolic violent world of the media as a reflection of their
reality. Negative outcomes have been observed in today’s schools, which appear
to be related to too much of the wrong kind of media exposure such as:
attention deficit disorder, behavioural problems, faltering academic abilities,
language difficulties (which extends to reading comprehension as well as oral
expression) and weak problem-solving skills are reported by teachers across the
globe. Of course, parents rushed life-styles and societal changes are partially
responsible as well. The presence of television in homes has grown rapidly over
the years in Nigeria. Parents, who can afford certain luxuries for their
children, provide television sets for their children in their rooms and this
gives teenagers the opportunity to view programmes without parental supervision
(Folarin, 2012).
Ayodeji (2008) reported that in the
result of all the assessments, the performance of Nigerian children both at
primary and secondary school levels were rated very low. Evidences of poor
performance of Nigerian students abound in the yearly results published by West
African Examination Council and Nigeria Examination Council. All the results
indicate consistent decline in students’ performance in external examinations.
The problem has assumed a serious dimension in all levels of the nation’s
education system.
All these and more, necessitate the
study of home video and the Nigerian child and its implications on academic
performance and behavior of secondary school students in Education District II,
Lagos state.
1.3 Purpose of the
study
The major objective of this study is
to examine the influence of home video on academic performance and behaviour of
secondary school students. Other specific objectives of this study are to:
i. Assess
the difference between parents and teachers opinion on the influence of home
video on students academic performance.
ii. Determine
the difference between parents’ and teachers’ opinion on the influence of home
video on students’ behaviour.
1.4 Research
Questions
The following questions are to guide
the study:
i. Is
there any difference between parents and teachers’ opinion on the influence of
home video on students’ academic performance?
ii. Is
there any difference between parents’ and teachers’ opinion on the influence of
home video on students’ behaviour?
1.5 Research
Hypotheses
The following hypotheses are to be
tested in the study:
i. There
is no significant difference between parents’ and teachers’ opinion on the
influence of home video on students’ academic performance.
ii. There
is no significant difference between parents and teachers’ opinion on the
influence of home video on students’ behaviour.
1.6 Significance of
the study
This study will be of great
importance to parents, students, school administrators, video censor’s Board
among others. The study will sensitize parents on the need to
regulate and monitor the type of films which their children watch in order to
curb the negative influences of the media on school age children and this will
promote their concentration on academic activities.
School administrators will see the
need to enforce the teaching of media education in the school system and
through this subject, the young ones will begin to respond thoughtfully and
critically to media content. It will also enable the kids or the teenagers to
imbibe the culture of peace and by this the society will experience a healthy
co-existence.
The findings of this study will also
enable the National Film and Video Censor’s Board (NFRCB) to ensure that strict
rules and regulations on films and Television programmes are put in place
especially those films which portray violence, nudity, ritual killings, cultism
among others. This will reduce the level of moral decadence prevalent in our
society.
Teachers will be motivated to give
enough home work to students so that the major part of their leisure time will
not be spent on watching television. This will promote private studies and
there will be subsequent improved academic achievement.
1.7 Scope of the
study
This study covers examination of the
influence of home video on academic performance and behaviour of secondary
school students in Mushin Lagos Government Area of Lagos State. The study is
limited to opinion of parents and teachers on the influence of home video on
academic performance and behaviour of secondary school students.
1.8 Operational
Definition of Terms
Home video: refers
to a system of recording and reproducing moving images using magnetic tape.
Academic performance: It
refers to students output at the end of tests and examinations. It shows the
level at which students have been able to acquire the various knowledge and
skills to which they were exposed.
Behaviour: Refers
to individuals’ responses or reaction to the various stimuli in his
environment.
Television (TV):
Is a compact electronic structure which serves as a transmission device. It is
also a communication media which transmits motion pictures.
TOPIC: INFLUENCE OF HOME VIDEO ON ACADEMIC PERFORMANCE AND BEHAVIOUR OF STUDENTS IN SELECTED SECONDARY SCHOOLS
Format: MS Word
Chapters: 1 - 5
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Number of Pages: 65
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